Music Composition, Performance, & Audio Production

Brian Belet

Brian BeletBrian BeletBrian Belet

Brian Belet

Brian BeletBrian BeletBrian Belet
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    • Publications - Music
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  • Biography
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  • Publications - Music
  • Research
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Research Publications

Research areas include real-time computer music programming, real-time performances interactions for humans and computer, contemporary music aesthetics, and analysis. Publications are listed in reverse chronological order. 


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Research Publications List

Web Audio Conference 2016 (live performance environment for n-users)

“Musique Concrète Choir: An Interactive Performance Environment for Any Number of People” (co-authored with William Walker, PhD, Mozilla Corporation). In Proceedings of the 2016 Web Audio Conference (Atlanta, GA, April 4-6, 2016). Georgia Tech University, Atlanta, GA.

Web Audio Conference 2015 (location-specific bird song soundscapes)

“Birds of a Feather (Les Oiseaux de Même Plumage): Dynamic Soundscapes using Real-time Manipulation of Locally Relevant Birdsongs” (co-authored with William Walker, PhD, Mozilla Corporation). In Proceedings of the 2015 Web Audio Conference (Paris, France, January 26-28, 2015). IRCAM, Paris.

International Computer Music Conference 2010 (Kyma real-time performance)

“System of Shadows, an interactive performance environment for trumpet/flugelhorn and Kyma” (co-authored with Stephen Ruppenthal, composer, Senior Director, SONY Corporation). In Proceedings of the 2010 International Computer Music Conference (New York, NY), International Computer Music Association, 2010, pp. 34-40.

Contemporary Music Review, 2008 (music of James Tenney)

“Theoretical and formal continuity in James Tenney’s music.”

Contemporary Music Review, Vol. 27, No. 1, Routledge (London), February 2008, pp. 23-45.

Organised Sound, 2003 (Kyma real-time performance)

“Live performance interaction for humans and machines in the early twenty-first century: one composer's aesthetics for composition and performance practice.”

Organised Sound, Vol. 8, No. 3, Cambridge University Press, December 2003, pp. 305-312.

International Computer Music Conference 2003 (Kyma real-time performance)

“Compositional and programming issues Within Lyra, a fully interactive performance environment for violin and Kyma.” In Proceedings of the 2003 International Computer Music Conference (Singapore), International Computer Music Association, September 2003,
pp. 91-94.

International Computer Music Conference 1996 (Improvisation Builder real-time performance)

“Applying Improvisation Builder to Interactive Composition with MIDI Piano” (co-authored with William Walker, Ph.D., Apple Computer/Xerox PARC). In Proceedings of the 1996 International Computer Music Conference (Hong Kong), International Computer Music Association, 1996, pp. 386-89.

Journal SEAMUS, 1996 (tape music dialogue)

“Things You Need to Think About Before You Write Your Next Tape Piece: Discussion in the Style of a Medieval Dialog Between Two Contemporary Composers” (co-authored with Jim McManus, DMA, Ohlone College).

Journal SEAMUS, Society for Electro-Acoustic Music in the United States, Vol. 11, No. 2, November 1996, pp. 4-7.

International Computer Music Conference 1992 (Kyma programming)

“Toward a unification of algorithmic composition, real-time software synthesis, and live performance interaction.” In Proceedings of the 1992 International Computer Music Conference (San Jose, CA), International Computer Music Association, 1992, pp. 158-161.

International Computer Music Conference 1991 (Kyma programming)

“Proportional recursive stochastic composition using COMP2, a Smalltalk-80 composition program within the Kyma digital synthesis system.” In Proceedings of the 1991 International Computer Music Conference (Montreal, Canada), International Computer Music Association, 1991, pp. 513-516.

DMA Dissertation, 1990 (music of James Tenney)

An examination of the theories and compositions of James Tenney, 1982-1985. DMA Dissertation, University of Illinois at Urbana-Champaign, 1990. 

Perspectives of New Music, 1987 (interview with James Tenney)

“An Interview with James Tenney.” Perspectives of New Music, Vol. 25, No. 1/2, Winter-Summer 1987, pp. 459-466.

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