Music Composition, Performance, & Audio Production
Music Composition, Performance, & Audio Production

My electronic composition My Last Tape Piece was performed during the 2nd Spaceout International Ambisonics Festival 2025, October 16-17, 2025 at the University of Michigan, Ann Arbor, MI.
This composition closed out Concert 1, presented in a 3rd-order ambisonic mix, on October 16, at 7:00 pm, at the Chip Davis Technology Studio.
My trombone quartet Refraction: Three Gestural Reflections was published on Brass Tacks 3, an album of brass music by Navona Records, June 2025.
This three-movement composition was recorded in January by members of the Czech Philharmonic Low Brass Ensemble in Prague. The recording is top notch - the performers were incredible!


My composition miniature Off on a Tangent (2024) has been selected by flutist Dalia Chin and guitarist Maj Radovanlija for a forthcoming "15 Minutes of Fame" concert performance set.
Performance and recording details will be posted here as they develop.

Score excerpt from Off on a Tangent, for flute and guitar.
© 2024 Brian Belet - All Rights Reserved.

"My Last Tape Piece," fixed-media electro-acoustic music composition (2023), was performed at SEAMUS 2025, Purdue University, Lafayette, IN. March 21-24, 2025.

"My Last Tape Piece" was performed at the Electronic Music Midwest 2025 festival, April 5, 2025, Kansas City Kansas Community College, KS.

In addition to the performance of My Last Tape Piece at SEAMUS 2025 (listed above), I performed at the conference as part of an ensemble of electronic composers under the title "Spaces | Places | Traces Telematic Performance," organized by conference host and fellow bassist Tae Hong Park (Concert 12, March 24). Some of the performers were on site at Purdue University for the concert, while others (including myself) connected remotely from around the world.

My short essay "AI in Music: Why Would Anyone Want It?" was published in Journal SEAMUS, Vol. 33, Nos. 1-2, page 9, March 2025. This essay is part of "Colloquy: Perspectives on AI in Music,"
ten essays of varying viewpoints.
Due to a publication backlog of the Journal, this issue is dated Spring/Fall 2022.